Tuesday, 23 November 2010

Hitler's sole poem- an Indglish translation

'In July 1917 we set foot for the second time on what we regarded as
sacred soil. Were not our best comrades at rest here?- some of them
little more than boys--the soldiers who had rushed into death for their
country's sake, their eyes glowing with enthusiastic love.'

Wagner's Valkyrie wing brushes
The country-boy who rushes
 Jewmerica's machine gun nest
For his Courage, Love fuels
His eyes blaze like jewels
A German heart to attest

Tho' his death throes are cruel
Eyes scorched by eyes' jewel
A weeping Valkyrie flies alone
Let his Mutti take him home.

Hitler and Hindutva

The word Hitler sounds like the Hindustani 'hutti' (obstinate). In ordinary parlance to say so and so is a Hitler means that person is strict and unyielding on questions of principle. Many years ago, I was translating a Jain book and was astonished to find a Sadhavi (nun) described as a Hitler. She was nothing of the sort, as I can personally testify. She radiated gentleness and, in addition to all her other tasks and duties, was a fine artist. Yet the scholarly young Nun to whom I explained my objection to letting the epithet stand in the English translation was reluctant to sanction the change I requested. I tried to explain that the name Hitler, in the English language, is synonymous with Evil incarnate. My appeal fell on deaf ears. No doubt, Hitler had done bad things but that was just politics. After all, Ashoka paid a bounty of a gold coin for the head of every Jain monk- thousands were slaughtered- until, one day, the head of a Buddhist monk, whom he personally reverenced, was brought to him. At that point Ashoka called off the massacre.
The important point was that he was an Emperor and, for some inscrutable reason, the Govt. of India had selected him as one of the Great and the Good.
Incidentally, what had kindled his ire against the Jains was the report that some members of their creed described Lord Buddha as belonging to their own Nigrantha tradition- scarcely a sufficient provocation for Ashoka's pogrom- but, well, that's politics.
I should mention, the Sadhavi in question was not alone in thinking 'Hitler' a term of praise. President Zail Singh astonished the world when he said something of that sort. Since Mrs. Gandhi was routinely described as a Hitler in the '70's her supporters naturally thought Hitler was worthy of praise. In any case, during the Second World War, Zail Singh was being tortured in the dungeons of the Maharaja of Patiala because of his stalwart role in the Freedom Struggle. As Niradh Choudhri points out, at that time, almost all the Nationalists wanted Hitler to win the War.  Netaji Subhash Chandra Bose, though a Socialist at heart, did not scruple to travel to Germany to solicit help from the Fuehrer himself.
Nehru and Indira, however, were never seduced by Hitler's personality cult. Indira expressed her horror and revulsion at the events of the Kristallnacht (attacks on Jewish temples and places of business triggered by the assassination of a Nazi in Paris). Both adopted a double standard towards Stalin and the Soviet Union but that fitted well enough with India's geopolitical needs and, in any case, the West was at that time still deeply Racist. America was merciless towards its own 'colored' population and perfectly happy to Nuke gooks in far away places if they failed to bend the knee to what Wall Street thought best.

The question now arises as to whether the Hindutva parties gain a competitive advantage by appropriating the 'Hitler' epithet? While Mrs. Gandhi's legend still lived in the minds of the voters, this was simply a non starter. Now things have changed.Sonia and Rahul emphasize their empathy for the poor and steer clear of anything that smacks of 'India Shining'.
Perhaps, at present, Narendra Modi can get away with laying claim to that mantle- but only because he was successful in ending the cycle of riots that began in 1969. But, it increasingly appears, his charisma is not exportable to the Hindi belt. This is a good thing as Gujerat might easily slip back to its bad old ways without him.

More generally, the question arises- could Hindutva bring forth a Hitler? But who was Hitler? An Austrian. The Hapsburg's had only allied with the Germans because it kept their own fractious German minority on side while the dynasty explored ways of conciliating other nationalities. This, at any rate, was Hitler's view. He himself, like the Hapsburgs, involved Germany in a second and more ruinous war simply so as to shore up the position of Germans like himself who resented the rise of other nationalities in territories on its borders.

Perhaps, with demographic changes in the East, a new type of Hindutva might arise amongst Hindus expelled from their homes which, however, lie within India's borders. From amongst them a Hitler might emerge who, being excluded from local and State level Politics, has no option but to spearhead a Pan-National movement.
It seems inevitable that India will face its own financial melt-down a few years down the line and, coupled with loss of territory in the North after a humiliating military defeat arising out of corruption and a collapse in morale amongst the armed forces, perhaps then and not sooner we might expect to see a Hindutva Hitler.

The provision of Gas chambers and so on, however, in view of fiscal constraints, will continue to be the responsibility of the Private Sector and though Union Carbide can no longer be inveigled into a second Bhopal, globalized Private Equity will certainly step forward to supply the deficiency, always provided of course that the present Administration honors its commitment to cap liability at acceptable levels.

Sunday, 21 November 2010

Evelyn Waugh and Naipaul's final scoop.

William Boyd has an excellent article on Naipaul's latest here.
 
Boyd draws a parallel between Waugh and Naipaul which admirers of the former might find puzzling. Waugh was funny, he wrote like an angel, his irony so perfect it verges on theodicy.

Naipaul's books simply aren't in the same category. I suppose the argument could be made that Naipaul- considered as a colored man, paid for jeering at colored people- can without impropriety be called a colored Waugh on the principle that you can call a nig-nog anything.

But this is an argument that tends not to be made in my presence- the fact is, though my cheeks display tints of peaches and cream, this is only because I'm a messy eater. Long years in London have not altered my complexion. Furthermore, just to be clear, I'm not setting myself up to be Naipaul's successor and so, absent a sufficient monetary inducement, I can't put forward this argument myself  because, it seems to me, Waugh saw himself as part of one great indivisible Civilizing force at the center of things.
There can't be a colored Waugh any more than there can be a Black Catholicism as opposed to a White Catholicism. 
 
Yet, to my mind, there is a connection- less a case of artistic genealogy than its proctologically inartistic inverse- between Waugh and Naipaul. What that is, I will reveal at the end of this blog post.

First, let me come clean and admit that the only reason I consider Naipaul to be important is because I am a Hindu. Why does Naipaul's religion- unlike Ved Mehta's or Niradh Chaudhri's- matter to me?
Well, Naipaul came to writing- it seems to me- out of a sense of filial piety. His father, Shivprasad, had gained a little education and his writing talent had gotten him a job as a reporter. Hoping to benefit people of his own background- i.e. Hindu agriculturists in the boondocks- Shivprasad allied himself with Indian Reformist movements so as to combat social evils amongst his erstwhile peers. His mission was to put them on the same path to progress as the brown converts to Presbyterianism and the urban Afro-Caribbeans.

Perhaps the young man adopted too shrill a tone, or perhaps people felt he was getting too big for his boots- the upshot was that his life was threatened. He had to make an ignominious recantation- my memory is a goat was sacrificed to Kali or something of that sort- and suffered a nervous breakdown in consequence- one morning he looked in the mirror and could no longer see his own face.

I mention this because it was under somewhat similar circumstances that my grand-father (who was fond of quoting the patriotic writings of Swami Vivekananda in a hilarious Bengali accent) was forced to sodomize the equestrian statute of Sir Mark Cubbon as part of a Hindu College hazing ritual- one which, like the practice of Suttee amongst Supremos of the Congress party, the benighted partisans of 'Hindutva' and the so called 'Sangh Parivar' secretly encourage  to this day- a fact seldom mentioned by the supposedly 'Liberal' media.

Like Naipaul, I too have written books about India. Indeed, my last novel 'Samlee's daughter' stands shoulder to shoulder with Naipaul's books on the vexed question of the proper attitude to the fair sex- we both agree that Hindus must abandon chivalry for artillery- though I must admit I haven't yet worked myself up to actually dealing out blows to the little dears, considering it prudent to confine myself to chucking my teddy bear in their general direction before bursting into hysterical tears.

Like Naipaul, I too revere Mahatma Gandhi- a strenuous wife-beater of the best type-  and identify with him- though my literary output is less voluminous- precisely because he too returned to India with fresh eyes and could see things which had become invisible to the natives. Simple things. Don't shit all over the place. Carry a spade with you and cover up your feces. As for this business of swinging from tree to tree eating bananas and hanging by your tails- that's got to stop. Granted the tourists like it- but I'm more than just a tourist- my ancestors came from India- so just fucking stop your monkey tricks already. You guys are making me look bad.

Returning to Shivprasad, it is comforting to think of him- like Mr.Biswas, in Naipaul's best novel-  finding consolation in Marcus Aurelius and Samuel Simles. The rigor and majesty of the Latin Stoic- albeit in translation- and the homely message of the Victorian writer, may have given this very talented young man the courage to persevere rather than simply drown himself in rum or slink off to Venezuela.
 
Shivprasad's own English style was lively and adventurous and suffused with excellent observational humour and shrewd journalistic touches. But it wasn't the chastened prose of a University Graduate. It is tempting to envision Shivprasad, with Roman piety, passing on the torch to the young Naipaul- the torch in question being the notion that writing should serve a social purpose while simultaneously acting as a Stoic askesis, a spiritual and character building praxis, such that the writer doesn't end up simply battering his brains out against Civic walls but, Antaeus like, gains a renewed strength by judiciously alternating the target of his head-butts with the rocky breast of mother earth or some other such abstraction.

This, it seems to me, is not an ignoble project. It has special relevance to the middle aged blogger or small time columnist of low intelligence and narrow interests, who needs to beat his or her toy drum from time to time simply to find an outlet for the sort of nursery scolding which, before the kids flew the coop, appeased one's paternal or maternal instincts.

After all, one could do worse- join some bunch of hate-mongering hooligans or write poetry or something.

Naipaul won a scholarship to Oxford at a very young age. He did not lack in filial piety. He wasn't a shy and withdrawn fellow but a witty and enterprising young man. His success seemed assured.

Naipaul's sister got a scholarship to Benares Hindu University. If the 'backwardness' of the Trinidad Hindoo was because they had been cut off from contact with the mother continent, then Naipaul's sister had that base covered.

Except of course, as that enterprising young woman swiftly realized, Benares had nothing to teach and everything to learn- except, that is, for intelligent people who might bother with Sanskrit and Prakrit and difficult stuff like that.

But Oxford too posed a problem. It seemed, the 'mother country-' whether India or England- could not provide what the Naipauls needed to keep their father's torch gloriously ablaze.

Why? Well, the truth was there nothing greatly the matter with the Hindu cane-cutters of Trinidad. They did well by themselves, just as the Naipauls did well by themselves. No great 'social reform' was necessary. So what if some village lads got into a lathi fight once in a while? But, they are going to Muslim Pir's shrine for blessing on lathi! Is that not a betrayal of Religion? No. It's nonsense is what it is.

The Trinidad Hindus evolved a good communal religious life which Indian scholars have since commended and commented upon. They did well economically and educationally. If some Hindu guy wants to get drunk and chase tail- that's his choice, he is not 'bringing shame on his community'. If some other guy goes to Harvard and becomes a Brain Surgeon- good for him, it doesn't mean he is some sort of magical oracle or exemplar whom we must revere and follow unquestioningly.

The Naipaul's tragedy arises from a deeply materialistic and spiritually stagnant Society's indifference to the notion that literature can fulfill a great social purpose by telling people to like pick up your litter already and don't roll your eyes when I'm talking to you and for fuck's sake do you have to be so dark? Have you tried bleach?  Fucking proles! They want to take my tax dollars to educate you thickies? This is Political Correctness gone mad! Rivers of blood, I say, rivers of blood will flow especially now that French Cambodian lady-boy David Cameron's got into Number 10.

V.S Naipaul did not do particularly well at Uni. One can scarcely blame him. Academic subjects like English or History or drunkenly getting gay with each other were no longer what they had been at the beginning of the 20's when Waugh went up. Indeed, the Second World War had changed the nature and function of literature, of literary culture, in a drastic fashion. Individuals no longer mattered. People might be permitted to hold opinions, even express them in some socially sanctioned way, but Truth was something churned out by giant machines in which the salaried, State-trained, intellectual was an interchangeable cog. History no longer had a human scale. Well, perhaps with the aid of Gandalf the Grey, the hobbits of the shire could prevail over the blazing eye of Sauron, but as Naipaul, Tolkein's student, would surely have known, the Elvish rune for the Silmarillionic tuirgen was also (as Keshave Chandra Das Gupta has hinted in his magisterial study of Orcish) a homophone for the watery sigil of the voiceless Loerelei whose sodomizing of pygmies to gain supernatural powers (prompting, perhaps, Naipaul's remark that he found pygmies scarcely human) is the key to Pres. Obama's current Afpak strategy  (vide Gayatri Spivak Chakravorty's  Prolegomenon to all future Post Colonial Studies) .

Naipaul faced with the equally arid alternatives of mindless philology or I.A Richards being anally raped by analytical philosophy had nothing to learn at University and, with commendable industry, he applied himself to the task of learning nothing, observing nothing- a habit which has served him well throughout his long and illustrious literary prostitution.

Not that he couldn't write elegantly or do a bit of actual research- 'the loss of El Dorado' aint utter crap- it's just History wasn't a mirror in which he could see his own face and so it had to go. So too did Economics and Politics and Science and... everything that has made the last fifty years such an exciting time to be alive.

Waugh, on the other hand, had a great sense for history, an instinctive understanding of economics- like others of his generation, he was confronted with the failure of Political Liberalism at a time when ideological positions were still very much in flux, dialogue- 'chatter' if you like- was as natural as getting drunk in the nearest dive; the febrile wit, the world weariness, the senile, sententious, Edwardian Socialism of Saki's salons had given place to something new. A great climacteric had been passed. Pieces could be picked up, but more than pieces there were new things, new ideas, new methods of analysis, a new understanding of the human mind born out of the terrible attrition of trench warfare, a new world view was there for whosoever cared to solder it together . Ideas mattered, literary excellence mattered- personality was a cult for the dandy not the dictator- much was recoverable, more was possible- with the innocence of children, Waugh's generation entered a Brave New World.

Not so, Naipaul's cohort entering Oxford under the chilling conditions of Post War Austerity- this would be a year or two after Orwell's 1984 came out- Britain had never had it so bad. Popular novelists of the period speak of amalgamation into the U.S.A or mass emigration to Australia as the only solution to Britain's seemingly insurmountable problems. Naipaul himself later applied for a job with the Indian High Commission!

People like Waugh might still provide literary banquets- and authors a few years his elder still engaged with ideas- but the new market was for processed food- T.V dinners for the suburbs and corned beef for the inner cities. Few, even in the 1970's, could have predicted Britain's phoenix like resurrection as a gastronomic super-power. Modesty forbids mention of my own achievements in this field- though I did once prepare a simple poached egg dish following a French recipe I found on the Internet- and I have it on good authority that my Salmonella is to die for.

Virtually nobody back in the 50's, except perhaps some mathematical economists or displaced Austrians, give us any inkling in their work of the importance our generation would later attach to  things like property rights, mechanism design, markets, diversity as a driver of trade and development and so on all of which revive the role of the individual in his freely contracted social arrangements, the better understanding of which makes the novel, literary fiction, once again central to Civil Society and the Liberal Political Project.

Waugh understood these things. But, over the course of his life- his arduous treks in the wilderness seeking his own soul- he saw and learned something more. Civilization is all centre and no periphery.
So is God.

Naipaul isn't God but he has made himself the centre of the World he writes about. The Scandinavians- invoking, with Viking wit, its  'suppressed histories'- have given him a Prize for it. But what is that world? It is a world of darkness briefly illumined by his father's stories-
 
But the habits of mind engendered by this shut-in and shutting-out life lingered for quite a while. If it were not for the short stories my father wrote I would have known almost nothing about the general life of our Indian community. Those stories gave me more than knowledge. They gave me a kind of solidity. They gave me something to stand on in the world. I cannot imagine what my mental picture would have been without those stories.

This, then is the key to Naipaul's desiccating art- his mummifying religion- his vast African spiritual safari which- like Proust's pilgrimage to Ruskin's Venice- occurred not in the sort of time counted off by the clock-face but that other type of time, Bergsonian duration, the Time which really counts- except it doesn't at all, Bergson was fucked in the head; what he says of Time can be said of anything- the door is opened to a Panalethism of a particularly silly sort- Iqbal's version of Islam, Naipaul's notion of everything including Islam- and the ungainsayable historical fact that the former cashed out as the latter.
Naipaul ends his Nobel lecture thus-
I will end as I began, with one of the marvellous little essays of Proust in Against Sainte-Beuve. "The beautiful things we shall write if we have talent," Proust says, "are inside us, indistinct, like the memory of a melody which delights us though we are unable to recapture its outline. Those who are obsessed by this blurred memory of truths they have never known are the men who are gifted... Talent is like a sort of memory which will enable them finally to bring this indistinct music closer to them, to hear it clearly, to note it down ..."
Talent, Proust says. I would say luck, and much labour.

So it seems, Waugh's nightmare vision of a man being forced to read Dickens to his illiterate jailer in the middle of the rain forest was no mere nightmare after all- it was a prophesy concerning the art-form he had advanced. Substitute Naipaul for Dickens and you begin to see how that might work.

Perhaps, as Borges was fond of saying, all books are by the same author. Or rather- what Dickens and his ilk started, Naipaul and his ilk finished. Read Dickens as if Naipaul were writing him. Read Dickens aloud as if Naipaul were writing him and Waugh is standing there listening dumb-struck and appalled, having just stepped into this clearing in the jungle.

Except there is no jungle. Waugh already knew that Naipaul would write Dickens. After all, Waugh had a dad who worked for Chapman &  Hall who published Dickens. And Naipaul had a dad who once tried to help his community by publishing some stories and articles. It's not Jungles or Geographies that matters. This kind of winding down is built into literature's 'duration'.

Suddenly becoming a Hare Krishna, or a Wicca Wizard or Sarah Palin or whatever don't look so bad. Except, of course, it's the same mumbo-jumbo as Literature. And African spirituality, African poetry, African Music- all of which wove together everything which makes social life meaningful and worthwhile- are now sufficiently invoked, sufficiently explored, by a sneering reference to muti magic- for to such muti magic must all Literature, all High Finance, inevitably devolve.

Only thus, and not otherwise, now Patrick French has done for Naipaul what he so signally failed to do for himself, can, at age of 78, Naipaul- not a good man, but our man, in Africa- finally telegraph us his scoop.

Wednesday, 17 November 2010

Ther real cause of the present financial crisis- an Indglish novel

The real cause of the present financial crisis looked up at the bronze sky. The monsoon was late. She went up the rickety stairs to the barsati to dry her hair.
Three storey's below, she could hear Chachee saying to Nani, as they shelled peas together-  'the girl should be married by now. What for all this Creative Writing Programs in U.S and other Godless places?"
Nani said nothing. She had been struck dumb ever since she witnessed the terrible scenes of carnage during the Godhra riots.
Suddenly there was a cry of alarm from one of the neighboring houses.  Chachee got to her feet. "What has happened? Who is there?"
The lugubrious  voice of Kista, the untouchable Merchant Banker, answered. "Arre, see what is happening on your own roof! A girl is being forced to commit suttee by evil Brahmins in cohoots with Narendra Modi!!"
'Nonsense,' Chachee shouted back, 'there is no girl here except my younger brother's daughter- the real cause of the present financial crisis-  but she is not married and hence can not be committing suttee due to only widows have that honor!"

However, the real cause of the financial crisis was wedded from birth to Indglish Literature. Hence she was quite properly committing suttee.
'This will teach them', our heroine said to herself as she burned up in frightful agony, 'Now they'll all be arrested and thrown in jail for abetting a suttee. Serves them right, the cunts. I am elven years old and studying in Class V. Please select my novel for Booker Prize. Compared to me, Arundhati Roy is an ugly old hag. I would like to meet President Osama and fly in a spaceship.'

Saturday, 13 November 2010

Jennifer Aniston as the limit case of the class of beautiful fat Australian men

I think it was the late Professor Gayatri Spivak Chakroborty who pointed out that Jennifer Aniston is the limit case of the class of beautiful fat Australian men. I don't recall what the distinguished Professor was late for and, as always, when I use the phrase 'I think', I use the expression loosely. However, the question remains, what truth value can be assigned the notion that Jennifer Aniston is the limit case of the class of beautiful fat Australian men?
I asked Professor Steven Landsburg to do the Math and find out.
"It's true," he grudgingly admitted. "By the logical principle known as ex falso quodlibet it follows directly from my proof that a tax on unearned income is a double tax. Furthermore, we can show, intuitively, that it must be true. First assume strict monotonicity in the class of beautiful fat Australian men. Then think of Mel Gibson without his truss. Then think of Jennifer Aniston waxing her mustache. Then draw a graph with Mel Gibson on one axis and Jennifer Aniston on the other axis. Draw indifference curves through every combination of Jennifer Aniston and Mel Gibson, such that revulsion is held constant. Obviously very small amounts of either cause revulsion to asymptotically approach zero and very large amounts to rapidly converge on infinity. However, in a sense, they balance each other out. Revulsion is least when there is at least one Mel Gibson to drunk dial each Jennifer Aniston and shower her with verbal abuse and at least one Aniston to remind Mel he aint no Brad Pitt. Hence, the indifference curves will be well behaved and follow strict monotonicity. Now draw a budget constraint whose slope is equal to the price you'd pay in the market to see the two mud wrestle. Impose a tax upon viewing Mel Gibson. The budget constraint shifts inwards with a sharper slope. Call the new consumer equilibrium point P. Now draw another budget constraint that passes through P but which is parallel to the old budget constraint. You can clearly see that a higher Indifference curve is tangential to the new budget constraint. This proves that with, tax revenue kept equal, all agents prefer an equal tax on both Mel Gibson and Jennifer Aniston. Since Mel Gibson would actually be a lot less gross if he weren't on diet pills it follows that Jennifer Aniston and a fat Mel Gibson are gross substitutes or become so as the set of beautiful fat Australian men increases with the addition of Mel Gibson. Since Aniston is of at least partly Greek origin, it follows that she'd tend to develop a mustache. Anyway, if all taxes on inherited wealth were abolished, with the burden being shifted to earned income, neither would have an incentive to actually earn any more money and so they'd soon come to resemble each other- well, except Aniston would be a bit more butch.
'This isn't nonsense at all. Crack a textbook why don't you?'

Thursday, 11 November 2010

Steve Landsburg's fallacy re. Estate taxes (Death duties)

Landsburg just won't quit with his double-tax fallacy.
This is from his blog of a couple of days ago.
Dick Thaler, writing in the New York Times, says so many wrong things about the estate tax that I don’t know where to begin. But let’s begin here:
First, it is incorrect to say the estate tax amounts to double taxation. The wealth in many large estates has never been taxed because it is largely in the form of unrealized — therefore untaxed — capital gains.
This is just not true. Virtually all of the wealth in every large estate has already been taxed at least once. Namely, it was taxed when it was earned. You do not understand this issue unless you understand the following simple example: Scrooge McDuck earns a dollar, makes some fortunate investments, and leaves a hundred million dollars in unrealized capital gains to his ne’er-do-well nephews. If Scrooge has to pay 50 cents income tax on that dollar, then he invests half as much, earns half as much, and leaves his nephews half as much. Scrooge’s fifty cent tax bill has already cost his nephews fifty million dollars.

In fact, there’s a good chance Scrooge (or his ancestors) earned a lot of that money back in the bad old pre-Kennedy days when marginal tax rates hovered around 93%. If so, 93% of the estate is already lost to taxes. That’s pretty far from nothing.
A more accurate statement might be this:
First, it is incorrect to say the estate tax amounts to triple taxation. The wealth in many large estates has been taxed only once because it is largely in the form of unrealized capital gains. Therefore the estate tax amounts to double taxation, not triple.
Of course, when you say it the more accurate way, it stops looking like an argument for estate taxation.

Why is this silly? Well, in an economy with no market failures (situations where markets screw things up) one might want all economic activities to be taxed at the same marginal rate.  In the old days people said- ah money earned by the sweat of one's brow should be taxed less than money from rents or savings. The problem is if you penalize savings or rental incomes then an important type of economic activity will be under-provided and in the long run everybody suffers.

Landsburg, of course, is on the side of the rich and wants money earned from rent, interest or profits not to be taxed at all- because this is 'double taxation.'
Let us take an extreme case to support his view. Granny Sweetums is a widow who earned $1 by scrubbing the floor of  Tax Inspector  Nasty. He promptly taxed her income at 50% leaving her with 50 cents. Granny Sweetums did not spend the 50 cents because she planned to buy her grand-daughter Goldilocks a nice new pair of titties for her 21st birthday. However, instead of giving the money to Goldilocks or pre-paying the plastic surgeon, Granny Sweetums hid the 50 cents in her panties (where not even Tax Inspector Nasty would look for it). Goldilocks would often say to Granny Sweetums, 'Kindly hand over the cash you dumb broad. Don't you know that Death Duty is levied at 50%?"
Granny Sweetums replied 'I would if I could be sure I'd be dead by the time you are 21 and thus legally entitled to work as a porn star. What if I live beyond that time whereas you are run over by a bus? That's why I'm hanging on to the 50 cents.'

Sadly just before Goldilocks 21st birthday, Granny Sweetums keeled over and died. The undertaker found the 50 cents in her panties and Tax Inspector Nasty immediately took 25 cents in inheritance tax leaving Goldilocks with money for only one boob enlargement- thus confining her to the unprofitable early Victorian silhouette end of the Porn industry where she met Steve Landsburg. Being a chivalrous sort of fellow he challenged Tax Inspector Nasty to an internet debate.
"You are guilty of double taxation!" he thundered angrily.
"Not so." said Nasty, "I am taxing an economic good or service which did not previously exist, Granny Sweetum's death created a hedge against the uncertainty and need to maintain a precautionary balance which her previously unknown date of death was responsible for. In other words, something- namely a hedge- has been created for the Estate and it is that which is being taxed. Had Granny bought a hedge in the market that would have been taxed. It is the implicit hedge which has fructified which I now lay claim to. The situation is the same as that of a unrealized and previously un-monetized capital gain on an asset which becomes so when it comes under probate. The moment something enters the market, or is exchanged, an economic activity occurs. The canon of neutrality requires it be taxed at the same rate as any other economic activity. This is different from a simple transfer. Had Granny Sweetums pre-paid the plastic surgeon for the boob-job no tax would have arisen other than the one she paid as Income Tax. By keeping the 50 cents in her knickers Granny was using the money to buy something for herself- viz. a hedge against the uncertainty arising from her unknown date of death. Her death relieved her Estate of that cost which we are taxing as though it had been paid through the market because under the law of probate this money now comes to Goldilocks not as a voluntary gift or transfer but as something on which she has a legal and enforceable claim upon.
'Goldilocks could not have sued Granny for the 50 cents since she had no legal claim to it. However, under the law of probate, Goldi does now have a claim to the residue of the Estate after tax. This  is an exchange, not a transfer, and since it is an economic exchange based on a new state of the world- viz. the reduction in uncertainty concerning Granny's date of death- a good or service has been produced, is measurable, and can be easily taxed-ergo it should be taxed."

But Steve Landsburg wasn't listening. He just repeated the argument all over again on his blog a couple of weeks later.
Goldilocks is doing well as a shadow puppet in Thailand.
Tax Inspector Nasty was fired for racially abusing a typist of Indian origin and sexually harassing a Japanese photocopier. He now writes children's books under the pseudonym Arianna Huffington Bear.

Monday, 8 November 2010

Is the Mahabharata about uncontrolled lust?

Satya Caitanya has a series of blogs at Boloji- in one recent post he says -


The Mahabharata is a tale of uncontrolled lusts – lust for land, lust for wealth, lust for power, lust for honour, lust for fame, lust for acceptance, lust for vengeance, lust for pleasure, and, above all, plain sexual lust. It is the story of lust in every imaginable form and the terrible consequences that uncontrolled lust leads to.

I think this is nonsense. True, in the First Book there are cases of Kings suddenly falling in love with a woman and agreeing to make her son his heir- but that's called sexual selection, not uncontrolled lust. Furthermore, these providential loves, far from bringing ruin to the State, provide Kings with sons with more than mortal powers. This is not just the opposite of xxx rated hard core lust, it's the province of fairy tales.

A King is warned that if he has sex, he will die- but he loves his wife so much he goes ahead and does it anyway... not lust, this is a romantic fairy tale.

There is not a single one of the important characters in the Mahabharata who is truly preyed upon by lust in the same sense as that of a Tiberius or a Caligula. Yet, in classical Indian drama, we do find examples of utterly debauched Princes who rape anyone can they lay hands on.

Nobody Shri Caitanya lists here is in the grip of uncontrollable lust. On the contrary, the number of their sexual partners is lower rather than higher than the median for high status men in the Iron Age. Furthermore, it is by no means clear that mid Victorian prudery was the established moral code of the day. On the contrary, except with respect to the semi-magical practice of Tapas (austerities)- there was no prohibition on any sort of intercourse from which progeny might result and, what is more, descent of this sort was rather a matter of pride than shame.
Why is Shri Caitanya misusing the English word 'lust' in this fashion? Is he 'sexing up' his article? But why should he want to? He is a scholarly and (I believe) spiritually oriented man.
Notice, he goes on to misuse this word LUST by applying it to other things like the desire for wealth, for renown, for vengance BUT ALSO FOR ACCEPTANCE! Why stop there, Maharaj? Why not add- lust for Knowledge, lust for Wisdom, lust for a nice cuppa tea with maybe a chocolate hob-nob, lust for updating my status on Facebook, lust for reading something sensible for a change about the Mahabharata?


The truth is the Mahabharata is not about lust, uncontrolled or otherwise. It's not about kama (Eros) but KARMA.
But Karma is linked up with something else- Dharma (Morality, Justice, Duty). And Dharma is difficult to understand.
So that's why Sri Caitanya pretends that actually this great book is about some debauched, vainglorious, tyrants who misbehaved themselves a long time ago.


In his article, Shri Caitanya has this to say about the conception of Sage Vyasa's mother.

'Let’s now move on to the day that most concerns us, the day on which he begets Sage Vyasa’s mother in an act that the Mahabharata describes as dhoomra – a word the dictionary explains as vice, wickedness, sin.
BUT DHOOMRA-as most Indic people know- MEANS SMOKEY OR CLOUDY- like the MIRKY AND MYSTERIOUS way Karma operates- there are other highly specific words for sins and SEXcrimes which can be cross-referenced to Law Books like that of Manu or Yajnavalkya or whatever from which the fine or punishment can be found.

~*~

'Everything about the remaining part of Uparichara Vasu’s story is strange and mysterious. Perhaps because the things mentioned are so unacceptable, it is possible that the original story has altogether disappeared and we have to infer it from the hazy and puzzling details that are now available to us in the Sanskrit epic.

'The first thing we are told is that a mountain once raped a river and two human children are born to the river. The name of the mountain is Kolahala and the name of the river is Shuktimati. We are also told that the mountain blocked the river and Uparichara Vasu kicked it with his foot, splitting the mountain and releasing the river.'

So a mountain raped a river? How does Van Buitenen translate this, let me see...does the European PROFESSOR use the word rape? No he says AN INTELLIGENT MOUNTAIN FELL IN LOVE WITH A RIVER. Yes the river conceives by the mountain but the European man does not use the word RAPE.  Vasu honours both children of the River. One is made a general the other becomes (Buitenen's translation) Vasu's BELOVED WIFE.
So what do we have here? Shri Caitanya talking of rape- that too of one from whom Hindus are descended- and the White man who was a top Professor in America using the word 'fell in love' and 'beloved'.
If Shri Caitanya really wants to insult religious people by showing their venerated ancestors to be lustful rapists than let him have the courage to make similar claims about Prophet Abraham or King David. Unfortunately, he was born in the Hindu Religion and so I have to accept it as my fate that my Sacred Book is a chronicle of flithy lust and nothing more.


Let me once again reitierate, the Mahabharata is about KARMA. The episode that has provoked this prurient raving from Sri Caitanya (a Godly man by the looks of things) is not about lust or rape or self-abuse. It is about the strange manner in which our intentions are both frustrated and fulfilled in an unexpected way.
Now we all know that the man's semen must enter the wife's womb for a child to be conceived. In this story, Vasu has to fulfill the duty to his beloved wife while also doing something else commanded by the ancestors. So he sends the seed by a carrier-pigeon to his wife. However, fate intervenes. Man proposes, God disposes. The lesson is that not only the child born to our wife is our son but, through karma, in fact VASUDEVAM KUTAMBAKAM- WE ARE ALL CONNECTED AND ARE ONE FAMILY.
Where is the LUST in such a simple and TRUE revelation of Supreme Deity?
What for such filth? Why such mindless denigration?
Please tell me what is my crime that just because I was born in Hindu family- not some other religion- why MY RELIGION ALONE SHOULD BE HELD UP FOR RIDICULE, CONTEMPT AND INFAMY!?
Answer- sex sells. Let us pretend Scriptures contain Porn. Then, perhaps, young people will be interestedl