In his book 'Culture & Imperialism', Edward Said wrote-
Conrad is the precursor of the Western views of the Third World
Western views, like Eastern views, were and are shaped by newspapers, newsreels, magazine articles and, to a lesser extent, popular fiction & light entertainment. The term "third world" was coined by a French anthropologist Alfred Sauvy in 1952. It referred to the growth of a non-aligned group of countries- some of which were ex-colonies or territories soon to become independent- in the context of the Cold War- something not envisaged in Conrad's fiction.
One might say that Kipling's Kim- showing Afghans & Bengalis & British officers cooperating against a Russian threat- was a precursor of 'great game' Cold War espionage with a backdrop of vast deserts or forests or mountains. Conrad's 'the Secret Agent' could be seen as a precursor to the Counter-intelligence novel set in the dingier districts of the metropole. What was lacking in either was the notion that the first and second 'Worlds' would find it worthwhile to offer Aid, rather than exact tribute, from the countries of Asia, Africa, or- stretching things a little- Latin America.
I suppose real world developments in the run-up to the Great War were reflected in John Buchan's novels & Maugham's Ashenden stories which highlight the need to combat an enemy Superpower's foreign network of secret agents who coordinate seemingly spontaneous 'indigenous' uprisings for some sinister purpose. Maugham was an intelligence operative during the Great War. In the interwar years, there was in fact a Comintern conspiracy as well as 'White' networks seeking to undermine the Soviet Union and to combat the influence of its sympathizers and fellow travellers. The outbreak of the Second World War meant that the previously isolationist United States started to acquire considerable knowledge of different theatres- India, Indo-China, the MENA etc- but the approach to knowledge acquisition involved statistical analysis & strategies based on 'Structural Causal Models'. The people doing this did not draw upon stereotypes in popular fiction or the manner in which they were modified in texts of a more self-consciously literary or 'modernist' type. However, some money was spent on tracking the views of indigenous intelligentsias. But this was an exercise in Sociology & Political Science. It had nothing to do with reading Conrad to understand Congo or reading Joyce so as to glean insights into the aetiology of the decline of leprechaun influence within the ranks of Sinn Fein.
which one finds in the work of novelists as different as Graham Greene,
Greene was profoundly influenced by Conrad, who died five years before Greene's first novel was published, though he had no 'views on the Third World'. Conrad may have started off with the belief that Whites would inevitably rule over Darkies. Then, in 1905, Japan defeated Russia. Britain had ended its 'splendid isolation' by allying with Japan 3 years earlier. Why? The Royal Navy was overstretched. During the Great War, Japan had taken over a lot of the functions of the Royal Navy- even in the Mediterranean. Conrad, as a sailor, knew that if the 'West' lost naval hegemony, then there could be no Imperialism in Africa or Asia. Greene took this as axiomatic. He has zero interest in preserving a zombie Empire.
By the time Conrad died, Egypt, Ireland & Afghanistan were independent. Would the Labour Party (which had come to power in 1924) honour its manifesto commitment re. India? No. Gandhi had unilaterally surrendered two years previously. Indian politicians had participated in the General Election & taken their seats in the Legislature. The Brits would dictate the pace & scope of the transfer of power because Indians could not agree among themselves. The same problem reappeared in the Arab lands. Africa too needed a further spell of 'State-building' before tribal loyalties were replaced by something more favourable to national self-determination.
The League of Nations had made it clear that the eventual goal was full independence for all territory taken from defeated Empires. The Colonial powers held temporary 'mandates'- nothing more. Imperialism was dead in the water because the age of Emperors had passed, never to return- though the Japs may have thought differently for a few years before being nuked into submission.
V. S. Naipaul,
whose politics were the opposite of Greene's. He liked Thatcher, Greene hated her. Naipaul's attitude to the Third World is like that of Nirad Chaudhuri. However, as a novelist, he was influenced by Conrad because his themes were social isolation, disillusionment & the fact that everything had gone to the dogs or wogs or whatever.
and Robert Stone,
a light weight.
of theoreticians of imperialism like Hannah Arendt,
not a theoretician. She knew nothing of the subject & was, in any case, as stupid as shit.
and of travel writers, filmmakers, and polemicists whose specialty is to deliver the non-European world either for analysis and judgement or for satisfying the exotic tastes of European and North American audiences.
Brothels & opium dens? Neither feature in Conrad. He was a sailor at a time when the Brits were still very interested in the Sea.
For if it is true that Conrad ironically sees the imperialism of the San Tome silver mine's British and American owners as ·doomed by its own pretentious and impossible ambitions,
Nonsense! The country has been independent for three generations. The mine-owner is of English descent and supports the current Dictator. Sadly, there is the danger of a military coup conducted by some other General. It may lead to the secession of one or more Province. The mine-owner plans to ship away all the silver and blow up the mine so it doesn't fall into the wrong hands. This shows he was a deeply silly man. Conrad had sufficient literary artistry to make the character credible- at least to such of his readers as neither knew, nor cared, about how business is actually conducted.
it is also true that he writes as a man whose Western view of the non-Western world is so ingrained as to blind him to other histories, other cultures, other aspirations.
The mine-owner may be of English descent but he is a citizen of an independent Republic. Is Colombia 'Western' or not? Its elite looked & acted like 'pure blooded' gentlemen. Some may have had some 'native' blood- but this was also true of members of the British aristocracy. The current Prince of Wales had an Indian maternal ancestor from about five or six generations ago. On the other hand, he is also descended from Count Dracula- which is super cool.
All Conrad can see is a world totally dominated by the Atlantic West,
He can't see that because he was actually there and it wasn't. The place was politically unstable because its people were volatile. I suppose you could say the secession of Panama had something to do with the US but that isn't Conrad's theme.
in which every opposition to the West only confirms the West's wicked power.
Either the place is part of the West or the West was absent from that place. The Spanish had been thrown out three or four generations previously.
What Conrad cannot see is an alternative to this cruel tautology.
Like what? The country deciding to stop being Hispanic and start being Tibetan?
He could neither understand that India, Africa, and South America also had lives and cultures with integrities not totally controlled by the gringo imperialists
There are no gringo imperialists in Conrad. On the other hand, it is true that Viceroy Curzon was actually Billy the Kid. The Kabaka of Buganda, on the other hand, was Annie Oakley. Said's father was brutally raped by Doc Holliday- Sheriff of Jerusalem- and was impressed into the American army to go conquer Germany for the gringos.
and reformers of this world, nor allow himself to believe that anti-imperialist independence movements were not all corrupt and in the pay of the puppet masters in London or Washington.
There was some German money available for the Indian Independence movement at a later date. Washington, at that time, was small and provincial. The Federal budget was paltry. The American Foreign Service was only created in 1924.
As for London, it didn't want 'independence movements' anywhere- even the Continent- because of Balance of Power concerns.
Said is an utterly ignorant shithead.
These crucial limitations in vision are as much a part of Nostromo as its characters and plot.
Nostromo is a working class Italian immigrant. We wonder whether he might not have achieved great things in a more egalitarian setup. Conrad disillusions us. The guy is just as much a crook as the aristos.
Conrad's novel embodies the same paternalistic arrogance of imperialism that it mocks in characters like Gould and Holroyd.
Holroyd is not paternal. He is distant- a calculating machine. Gould is a romantic idealist but understands that the country will only prosper if 'material interests' dictate policy- not paranoid notions of returning to the purity of some previous revolution or the other. Neither are 'imperialist'. There is no point fighting rebels or bandits in the interior. You can always do a deal with whichever revolutionary or liberal or conservative shithead happens to grab in power.
Conrad seems to be saying, "We Westerners will decide who is a good native or a bad, because all natives. have sufficient existence by virtue of our recognition. We created them, we taught them to speak and think, and when they rebel they simply confirm our views of them as silly children, duped by some of their Western masters."
If this were the case, Conrad could point to a good or a bad native. But he doesn't do so. Gould was born in the country. Is he a native? Nostromo is an Italian expat. Is the good? No. Is the story any good? Not really. The thing is silly. Businessmen should hedge risks. They shouldn't do stupid shit- e.g. think of blowing up a mine or trust some I-talian dude with a shitload of Silver. Conrad gets away with this shite because maybe he is being philosophical or psychological in some profound manner connected to Schopenhauer or Nietzsche or some other such unclean Continental poof, poseur or pervert.
This is in effect' what Americans have felt about their southern neighbors: that independence is to be wished for them so long as it is the kind of independence we approve of.
It is what everybody feels about their wishes for everybody else. We hope they get what they want provided it is the sort of thing we approve of.
Anything else 'is unacceptable and, worse, unthinkable.
Says a guy who can't fucking think because he studied and taught worthless shite.
It is no paradox, therefore, that Conrad was both anti-imperialist and imperialist,
as well as being a cat and a dog and a golliwog
progressive when it came to rendering fearlessly and pessimistically the self-confirming, self-deluding corruption of overseas domination, deeply reactionary when it came to conceding that Africa or South America could ever have had an independent history or culture, which the imperialists violently· disturbed but by which they were ultimately defeated.
Conrad, like Greene, preferred the backdrop to be seedy, if not shitty, so as dwell upon the seediness, or shittiness, of the protagonist.
Yet lest we think patronizingly of Conrad as the creature of his own time, we had better note that recent attitudes in Washington and. among most Western policymakers and intellectuals show little advance over his views.
The good thing about America is that Washington & 'intellectuals' don't matter. Will the Hunt brothers corner the silver market? Would this entail some privately funded shenanigans in a key 'swing' silver producing country? That's the sort of thing smart people make good money finding out. 'Material interests' do matter. In between saying 'boo to Fascism!' or 'Fuck you, Whitey!' we have bills to pay.
What Conrad discerned as the futility latent in imperialist philanthropy
because if London sends wheat to starving Ireland or rice to starving Bengal, that would be totes futile right?
- whose intentions include such ideas as "making the world safe for democracy''-
Like defeating Hitler? That was futile- right? The French would have preferred being ruled by the Gestapo.
the United States government is still unable to perceive, as it tries to implement its wishes all over the globe, especially in the Middle East.
Clinton should have let Israel ethnically cleanse the Palestinians. He was wrong to try to make them give up East Jerusalem & the West Bank.
At least Conrad had the courage to see that no such schemes ever succeed
The Brits won the Boer War & gained much profit & geopolitical advantage from the place for the next sixty years.
because they trap the planners in more illusions of omnipotence and misleading self-satisfaction (as in Vietnam),
if you have a stupid plan you do stupid shit till the cost becomes unbearable.
and because by their very nature they falsify the evidence.
You can't falsify a fiscal deficit.
All this is worth bearing in mind if Nostromo is to be read with some attention to its massive strengths and inherent limitations.
It is a novel which people at the time thought rather good.
The newly independent state of Sulaco that emerges at the end of the novel is only a smaller, more tightly controlled and intolerant version of the larger state from which it has seceded and has now come to displace in wealth and importance.
This could be said of the Dutch Republic or, indeed, the United States. But why bother saying it? You may say, 'but disabled Lesbians of colour did not marry goats in either Amsterdam or New York! Is that not a fundamental betrayal of some shite or the other?' But, the riposte is that the scotomization of the catachresis of sodomized subalterns in Singur re-problematises the merging of hermeneutic horizons posited by the very deconstruction of the catachresis of its own mise en abyme as differance. Either that or the other way round.
Conrad allows the reader to see that imperialism is a system.
British readers knew that Imperialism was the system overseen by the Secretary of State for India & the Colonial Office. Conrad had nothing to do with either.
Life in one subordinate realm of experience is imprinted by the fictions and follies of the dominant realm.
Nonsense! Writers about the Empire- Kipling, Buchan etc- showed that there was only a very tenuous connection between the two. Conrad too shows that stuff believed by blue-stockings in London or New York, bore no relation to reality anywhere. Similarly, Said's vapourings were unconnected to anything happening on the 'Arab street'. The exception was his 'faux bond' with Derrida which led directly to the third Intifada.
But the reverse is true, too, as experience in the dominant society comes to depend uncritically on natives and their territories perceived as in need of Ia mission civiJisatn'ce.
Very true. Oscar Wilde's experience of the rectum of a Cockney rent-boy depended uncritically on the British mission to the Cannibal Isles (modern day Fiji). It was a mistake to put Lord Sandwich in charge. A better choice would have been Lord Marmite. That stuff tastes like shit.
However it is read, Nostromo offers a profoundly unforgiving view, and it has quite literally enabled the equally severe view of Western imperialist illusions in Graham Greene's The Quiet American
Greene was a Catholic & thus would have supported the Dictator who took power in the year his book came out. In a sense, he was prescient. Kennedy bumped off that Catholic fanatic to placate the Buddhist majority.
or V. S. Naipaul's A Bend in the. River,
Which is about how fucking horrible Africans are. Naipaul, as a rural Indian Trinidadian, resented the more urbane Afro-Caribbeans.
novels with very different agendas.
Which had nothing to do with Imperialism. Greene was aware that his people were fighting the Commies in Malaya at that time.
Few readers today, after Vietnam, Iran, the Philippines, Algeria, Cuba, Nicaragua, Iraq, would disagree that it is precisely the fervent innocence of Greene's Pyle
He isn't innocent at all. He is a CIA agent handing out plastic explosives for car bombs- an excuse for a coup. What Greene doesn't seem to have grasped was that the Catholic PM had American support but was hated by the French. That's why he was able to take power (once the Americans made it clear they would not financially support a pro-French general) after the departing French overplayed their hand.
I suppose Said hadn't read Greene's book. He had seen the film where the American turns out to be wholly innocent. The Brit had believed otherwise so as to get rid of a rival in love.
or Naipaul's Father Huismans, men for whom the native can be educated into "our" civilization, that turns out to produce the murder, subversion, and endless instability of" primitive" societies.
Naipaul had been educated into the same fucking civilization as Said. His mother tongue was Hindi as Said's was Arabic.
A similar anger pervades films like Oliver Stone's Salvador, Francis Ford Coppola's Apocalypse Now, and Constantin Costa-Gavras's Missing, in which unscrupulous CIA operatives and power mad officers manipulate natives and well-intentioned Americans alike.
Greene was a direct ancestor of that stripe of shite. Lots of his books- including 'Quiet American' (though with the denouement reversed) were Naipaul had nothing to do with it.
Yet all these works, which are so indebted to Conrad's anti-imperialist irony in Nostromo;
There is no Imperialism in it. One might say that Somerset Maugham's Ashenden influenced Greene & that Greene influenced le Carre. It must be said, Greene's 'The Human Factor' is the cream of that particular crop.
Imperialist espionage is John Buchan & Lawrence van der Post & so forth.
argue that the source of the world's significant action and life is in the West, whose representatives seem at liberty to visit their fantasies and philanthropies upon a mind-deadened Third World.
Its academics may do so. Its representatives have to be more careful. The first US Foreign Service to be killed while on active duty was Robert Whitney Imbrie. He was killed, probably on orders of the man who would become the first Shah, in 1924 in Teheran. The excuse was that the mob thought he was a Ba'hai! American diplomacy in Iran has now come full circle. Trump has taken out the Supreme Guide and a lot of his henchmen.
In this view, the outlying regions of the world have no life, history, or culture to speak of, no independence or integrity worth representing without the West.
Nobody holds this view save some ignorant academics from Cairo or Delhi or Teheran.
And when there is something to be described it is, following Conrad, unutterably corrupt,
like Tammany Hall?
degenerate, irredeemable.
Chinatown- starring Jack Nicholson.
But whereas Conrad wrote Nostromo during a period of Europe's largely uncontested imperialist enthusiasm,
Because of the Monroe doctrine, there was no fucking enthusiasm for adventures in Latin America.
contemporary novelists and filmmakers who have learned his ironies so well have done their work after decolonization, after the massive intellectual, moral, and imaginative overhaul and deconstruction of Western representation of the non-Western world, after the work of Frantz Fanon,
whose native Martinique chose to remain with France. Since he didn't know Arabic, he could say nothing of Algeria.
Amflcar Cabral,
who may have been read by some Portuguese people. He was irrelevant because the Portuguese Empire- like Portugal itself- was utterly shit.
C.L.R. James,
okay on cricket but otherwise silly. Minty Alley was a fucking embarrassment. Say what you like about VS Nightfall, Biswas has a decent enough house.
Walter Rodney,
killed by his own people. Everyone's a fucking critic.
after the -novels and plays of Chinua Achebe,
novels. Wole Soyinka wrote the plays.
Ngugi wa Thiongo, Wole Soyinka, Salman Rushdie, Gabriel Garda Marquez,
Shoba De, Paddington Bear, Winnie the Pooh
and many others. Thus Conrad has passed along his residual imperialist propensities,
he had none. The guy was against the Tzarist Empire though he understood that the Kaisers & Hapsburgs had to go too if Poland was to be independent. By the time he died, he understood that Communism too was a threat.
although his heirs scarcely have an excuse to justify the often subtle and unreflecting bias of their work.
Rushdie keeps trying to annex Nigeria. Wole Soyinka retaliates by attacking Baluchistan.
This is not just a matter of Westerners who do not have enough sympathy for or comprehension of foreign cultures-- since there are, after all, some artists and intellectuals who have, in effect, crossed to the other side- Jean Genet,
Homosexuality was legal in France. If he crossed over to the other side, he might become subject to Sharia law.
Basil Davidson,
well liked by journalistic circles in Africa. Was he a spy? Perhaps. But for which side?
Alben Memmi,
a Zionist. Maybe Said didn't know this. He didn't actually read very much. It made his brain hurt.
Juan Goytisolo,
a major figure. He doesn't belong with the others. If you really want a critique of Western Imperialism, this is a guy you could start with.
and others.
Said himself?
What is perhaps more relevant is the political willingness to take seriously the alternatives to imperialism, among them the existence of other cultures and societies.
Why take imaginary alternatives seriously? True, Mrs Thatcher could have raped General Galtieri & then rented out his rectum to Arthur Scargil and Ayatollah Khomeini, but how relevant to our current predicament is the political willingness to take seriously the possibility that the Supreme Guide of Iran might now be safely alive inside the colon of an elderly Argentine military officer?
Whether one believes that Conrad's extraordinary fiction confirms habitual Western suspicions about Latin America, Africa, and Asia,
Only a fool would believe a fiction confirms a belief already established by facts- e.g. the ones Conrad observed when he worked in that region.
or ·whether one sees in novels like Nostromo and Great Expectations the lineaments of an astonishingly durable imperial worldview,
Only a cretin would so. There is no Imperialism in either. Pip gets a windfall. Who is it from? A pirate or a convict or some other such disreputable person. What matters is that it isn't from the Prince of Persia or the Japanese Mikado or some other glamorous or romantic source.
capable of warping the perspectives of reader and author equally: both those ways of reading the real alternatives seem outdated. The world today does not exist as a spectacle about which we can be either pessimistic or optimistic, about which our "texts" can be either ingenious or boring.
Nonsense! There are good books about people from different classes or countries coming together to create new technologies which can create 'abundance' & reverse climate change etc.
All such attitudes involve the deployment of power and interests.
None do. You can have any attitude you like. Mine is that of a teen-age Vampire Slayer.
To the extent that we see Conrad both criticizing and reproducing the imperial ideology of his time,
He didn't know it & certainly didn't try to criticize it.
to that extent we can characterize our own present attitudes: the projection, or the refusal, of the wish to dominate, the capacity to damn, or the energy to comprehend and engage with other societies, traditions, histories.
In other words, we can't do shit because Conrad didn't do the thing Said said he did.
The world has changed since Conrad and Dickens in ways that have surprised, and often alarmed, metropolitan Europeans and Americans,
Very true. I recall bumping into Mrs Thatcher at the Finchley Road Marks & Spencer in 1977. She was very alarmed that Work Houses no longer existed. I suggested she become Prime Minister & revive that admirable institution. She phoned me five tears later. Was it true, she asked, that sailing ships no longer cross the Atlantic to Argentina. I confirmed this was the case. The world has changed since the days of Joseph Conrad, Prime Minister. She was greatly surprised and alarmed. That is why she sank the Belgrano.
who now confront large non-white immigrant populations in their midst, and face an impressive roster of newly empowered voices asking for their narratives to be heard.
Sadly, Enoch Powell's tales of White ladies being terrorized by jiggaboos had fallen on deaf ears. Still, we all laughed heartily when Rushdie's 'narratives' caused Pakistanis in England to bay for his blood.
The point of my book is that such populations and voices have been there for some time,
making money not teaching worthless shite
thanks to the globalized process set in motion by modern imperialism; to ignore or otherwise discount the overlapping experience of Westerners and Orientals, the interdependence of cultural terrains in which colonizer and colonized co-existed and battled each other through projections as well as rival geographies, narratives, and histories, is to
make money not teach worthless shite
miss what is essential about the world in the past century.
if you miss out on making money you know nothing about what is essential in the real world.