Sunday, 25 April 2010

When contemporary idioms are admissible in translation.

I don't normally like translations that employ contemporary idioms, agendas or controversies to 'sex up' translations of classic poems. However, there are moments in history- apocalyptic moments- when the distinction between eras is erased and all literature becomes urgently contemporary and passionately engaged.
At times like these I think a couplet like the following is permissible-
I've become the freed slave of my own Shiloh's honest Abe
Incessantly butt fucked in her Indifference's Abu Ghraib

There is scarcely a ghazal in the canon into which this couplet could not be profitably interpolated.

Saturday, 24 April 2010

Difficulties of translating courtly poetry

Much of the piquancy of courtly poetry arises from word play involving elite customs and modes of speech. The fact that courtiers often employ a sort of hypertrophied courtesy involving exaggerated protestations of devotion that draw upon a sort of fossilised ceremonial language increases the scope for the courtier poet to display his status as 'an insider' who understands the origins of certain customs and rituals that the parvenu finds puzzling.
However, this presents a grave problem for translators and calls into question the status of courtly poetry as representing a truly universal art form. 
Take the following quatrain- 
Not punctilio, merely, methinks she softens to my suit
Might not etiquette beget true affection's  fruit?
For the formulaic postscript to her epistle dismissive
Reads- 'bugger not the bearer of this missive!'
How many modern day English speakers would know that 'bugger not the bearer' - though employed here in a purely conventional and formulaic way, like 'may this letter find you in good health'- is actually a survival of the love poetry of an earlier era? In this case, a Master Poet had depicted the paramour of the King as using this phrase to express three different sentiments or shades of meaning viz-
1) she knows her letter will greatly arouse the amorous passion of the King and this excites jealousy in her against even her own means of communication with him.
2) the mystical concept that the intermediary, or go-between, gains status by so doing and in some sense becomes part of a Trinity.
3) the suggestion that the King may seek to increase the frequency of her letters by sodomising the postman- thus attributing a naive mentality to the King for the hidden purpose of showing how badly Love has disordered her own mental faculties. 
By the time the quatrain, quoted above, was written, however, the phrase 'bugger not the bearer' had become just a meaningless formula. Thus we have a picture of a well bred lady ending a letter dismissing the importunities of the courtier with a formula which implies passionate love rather than (as she would imagine) a salutary warning of a hygenic type. 
How does one translate a poem whose fundamental premise is that translation is not possible even within its own milieu and idiolect?
Now, in the above case, the lady in question did recognise the allusion and replied in kind with this erudite little couplet-
No cock but all arse-hole, you give tongue to your wit
Brown nosing Archbishop, helping others to shit! 
The literary reference here being to a ecclesiastic of an earlier time who, famously, had an anal sphincter larger than his body; a fact much commented upon by mystics and theologians of a via negativa type. However, the true pungency of the line arises out of the fact that the venerable author of the quatrain did in fact have a very small penis. However, no personal disappointment, arising from this circumstance, and contrary to what some gossips aver, motivated my decision to leave  India in 1977, nor do I rake up the matter- now the parties to it are all dead and that milieu vanished- save to throw light upon the difficulties of translating courtly poetry in this levelling age.




Friday, 23 April 2010

Ghalib gets the finger

A couplet from a ghazal Ghalib wrote at the age of 19.
kāfī hai nishānī tirā chhalle kā nah denā
ḳhālī mujhe dikhlā ke bah vaqt-e safar angusht 
(50.2) 

Not her virginal nose ring, such joy did I bring her
 Street urchins sing of how she gave me the finger.

Surprise, surprise, this is not what the commentators read in the verse.

Khwaja Mir Dard's 'madrasa ta ya dair ta ya Ka'ba ya but-khana ta'

For a scholarly article on the difficulties of translating Dard click here.
An interesting idea in an essay found here concerns the distinction between izafat and i'tibar- both of which have no real existence in themselves but with the former having a partial empirical existence through the One Reality's self revelation and the latter being wholly fictional and of the character of negation and non being. 
This enriches our reading of Dard, for the use of izafat will now suggests a variant ontology such that what it links exists only in a manner derivative  from that to which it grammatically enchains. 
Here is my version of the first ghazal in Dard's Divan.


Whether at the Ka'ba or Jaba the Hutt's Holy fane
Thy Guests, Lord, we at thy pleasure remain

Death's dawn revealed all Revelation was vain
Existence a dream and the Logos insane

 Does Autumn's feverish colour the wind's chill explain?
 Does the delivery boy, for its coquetry coy, my cock disdain?

My Pop's station is higher than Popes attain
'I'm a great mystic', is this ghazal's refrain

Oh yes and add in some shite about tears flowing like rain
And the Saqi and the Tavern & Love's torment & pain

& once you are done, start over and do it again
For 'I'm a great mystic' is every ghazals' refrain


My translation is not literal because I'm assuming Dard wasn't utterly stupid or concerned merely with coining sonorous cliches. But there is a more serious point- one I might refer to as the holographic nature of mystic poetry whereby the whole is contained in every part for by the principle of  lâ takrâr fi’l-tajallî, no synergy of the whole is not contained in the uncoiling haecceity of  the part, echo as it is of the primordial 'kun' ('Be').

Borges, Ibn Arabi and Charles H Hinton's alterable past

In 'the Secret Miracle', Borges writes of the first volume of a fictional poet's Vindication of Eternity as being'...a history of the diverse eternities devised by Man; from the immutable Being of Parmenides to the alterable Past of Hinton...'
Alterable past? Charles H Hinton had a concept of an alterable Past?
Borges continues, that the poet's second volume, 'denies (with Francis Bradley) that all the events in the universe make up a temporal series. He argues that the number of experiences possible to man is not infinite, and that a single ';repetition' suffices to demonstrate that time is a fallacy..."
The Ibn Arabi scholar, W. Chittick, writes
“There is no repetition in [God's] self-disclosure” (lâ takrâr fi’l-tajallî) 'By acknowledging the unity of the Real, Tawhid, we recognize that it is one and unique in its every act, which means that each created thing and each moment of each thing is one and unique; nothing can ever be repeated precisely because of each thing's uniqueness and the divine infinity.' (W.Chittick)

I must admit I still don't understand the phrase 'alterable past'- is it the notion that one can choose any past compossible with the present?
Dunno.
Help?

Sunday, 18 April 2010

Narendra Modi and the doctrine of 'command responsibility'

The doctrine of 'command responsibility' holds that that the person holding command is responsible for the actions of his subordinates, including acts of omission.
The allegation against Narendra Modi is that he either himself abetted, or at the very least failed to prevent, heinous acts of violence in the aftermath of the Godhra atrocity.
In Indian law, Modi would face criminal charges if admissible evidence substantiates the allegation.
A separate question- one relating to the chances of success of court cases filed against Modi, on Human Rights grounds, in a foreign jurisdiction or one founded upon a claim for damages under the U.S Alien Torts Claims Acts- has to do with 'command responsibility'.
This begs the question as to whether Modi had inherited a machinery of State that was fit for purpose and, as such, amenable to command.
What are we to say of a State where, in 1992, the police were in the pockets of a gangster (who also financed the Congress party) who assasinates a senior Congress M.P who was about to present damaging information about him to the Central Home Minister? The same gangster, together with a former Congress Minister of Fisheries, then arranges a terror attack on Surat in response to the Babri Masjid demolition before fleeing to Pakistan.
Modi, over the years, may well have eliminated at least the criminal/terrorist/police nexus. But, in a democratic set up, how much further can he go to break the nexus between land sharks and corrupt policemen? What of illicit liqor, the flesh trade, drugs and the various other ills associated with rising material prosperity?
As for religious and caste prejudices- can his mantra 'all religions are equal paths to God' really prevail?
Modi was brought into Gujerati politics because he was neither a Patel nor a Kshatriya. He was supposed to confine himself to speech making and, perhaps, building bridges to adivasis and marginalized farmers. His response to the Kutch earthquake showed the calibre of the man. But Godhra should have cut him off at the legs. Riots are the means used by the middle level party bosses to render the guy at the top impotent. It's all about countervailing power. The middle level guys are paid off by the criminals who then themselves can rise to become political figures.
Modi essentially took responsibility for the post Godhra riots, utterly obscene though they were, thus rising above his rivals and concentrating power in his hands. With the courage of desperation he then brokered a deal with the farmers whereby they gave up free electricity in return for an assured power supply at night at a lower rate. This was only one of many path-breaking initiatives that he took. Some see Modi's manic energy, post-Godhra, as a psychological defence against the horrors of the riots. What is unquestionable is that Modi changed how Government and Society interacted.
His attitude towards Panchayat Raj- where he encouraged unanimous voting in elections- indicate his supicion of the political instrumenalization of disorder that is the other side of the coin of party politics.
Modi refers again and again to the fact that he wasn't involved in student politics and held no elected office until parachuted in by the BJP high command.
Both Godhra and its aftermath were the inevitable result of a corrupt political process in which not just criminals but also terrorists could be used to appeal to 'vote-banks'. The hilarious story of Ram Vilas Paswan taking along an Osama bin Laden look alike to gather Muslim votes shows how cynical our politicians are.
In this context, Modi's moral as well as 'command responsibility' for the post-Godhra riots pales into insignificance when compared to the hereditary masters of the Nation's destiny.
But, what's next for Modi? Sooner or later the very prosperity he has helped create will fuel a demand for change. Patels and other forward sections have attractive candidates of their own. A lot of money is being made in Gujarat. 'Rent seeking' has enormous scope for expansion. Few public officials and politicians like seeing money go straight to the poor through Garib Kalyan Melas.
And, without Modi, the necessity for communal riots will once again make itself felt. After all, how else are elections to be won?

Thursday, 15 April 2010

Guess the author- 'A modern Manikavachakar'

Entrusted with funds for Defense procurement, the Poet/Saint journeyed to a certain place where, moved by devotion to God, he forgot his mission and  immediately built a beautiful temple with the Government's money..

When the Ministry demanded to see the Munitions purchased, the Poet/Saint appealed to God who immediately sent the same- however, by Maya they turned into excuses. Temple also turned out to be a prostitute. Commission of Enquiry is predicted to file its report by 3013 A.D.
Here is a beautiful poem of the Poet/Sage.



What a beautiful poem! Only poetry like this can fill heart with Devotion, or if not devotion then at least the determination to try to moderate one's desire to shit in the mouths of mystics and piss on the bald pates of priests.
(from the Tamil)